The Shure SM7B Dynamic Microphone is a "must have" microphone in any studio. Versatile and often seen parked above hi-hats, in front of bass cabinets or as a vocal mic. The Shure SM7B is a studio workhorse and excels on many fronts!
The Shure SM7B Dynamic Microphone is a cardioid studio mic designed to deliver warm and smooth audio reproduction in close-proximity studio and vocal applications. It features wide-range frequency response, bass roll off and mid-range control, and internal air suspension shock isolation. The SM7B is a selectable frequency response microphone that delivers warm and smooth audio in close-proximity studio and vocal applications. Optimized shielding from external electromagnetic hum, along with internal shock mounting, external windscreens and adjustable bass roll-off and mid-range emphasis response settings provide clean, consistent reproduction.
Broadcast Standard
The Shure SM7B is a favorite in radio studios, as its designed to fare well in a broadcast environment. The A7WS windscreen reduces plosive sounds and gives a warmer tone for close-up vocals or narration. And the increased isolation to RFI and EMI due to SM7B's upgraded cartridge make it a no-brainer for when getting it right really matters.
Is Versatile
In recent years, the SM7B has seen time in front of rock vocalists and also does an excellent job of handling low-frequency instruments such as bass guitar. The SM7B has also proven successful on unlikely sources such as hi-hat.
Offers Rugged Reliability
Like all Shure mics, the SM7B is built like a tank, meaning that you can travel with it from gig to gig and rest assured that it will last. Shure mics are famous for their bulletproof construction, and the SM7B is no exception. Session after session, the Shure SM7B will continue to perform on stage and in the studio without flaw.
Shure SM7B Dynamic Microphone Applications
- Recording Studio—Instrumental and Vocal
- Location Recording
- Motion Picture and Television Scoring
- Television, Talk Shows, and News Desks
- Radio Announcing and Production
- Narration
Shure SM7B Dynamic Microphone Features
- Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
- Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
- Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission
- Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
- Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
- Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
- Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
- Rugged construction and excellent cartridge protection for outstanding reliability
Shure SM7B Dynamic Microphone Specifications
- Type: Dynamic
- Frequency Response: 50 to 20,000 Hz
- Polar Pattern: Cardioid
- Electromagnetic Hum Sensitivity (Typical, Equivalent SPL/milli Oersted):
- 60 Hz: 11 dB
- 500 Hz: 24 dB
- 1 kHz: 33 dB
- Impedance: 150 Ohms for Connection to Microphone Inputs Rated at 19 to 300 Ohms.
- Output Level (at 1,000 Hz):
- Open Circuit Voltage: – 59.0 dB (1.12 mV), (0 dB = 1 Volt Per Pascal)
- Switches: Bass Roll Off and Mid-Range Emphasis: Slotted Response Selector Switches.
- Cartridge Shock Mount: Internal Air-Suspension Shock and Vibration Isolator.
- Microphone Connector: Three-Pin Professional Audio (XLR)
- Swivel Assembly: Integrated, Captive Nut for Ease of Attachment to Stand, Fits 5/8 in.–27 Thread.
- Polarity: Positive Pressure on Diaphragm Produces Positive Voltage on Pin 2 Relative to Pin 3.
- Case: Dark Gray Enamel Aluminum and Steel Case with Dark Gray Foam Windscreen.
- Net Weight: 765.4 Grams (1 lb, 11 oz)
Shure SM7B Dynamic Microphone Includes
- Shure SM7B Dynamic Microphone
- Stand Adapter
- Windscreen
- Switch Cover Plate
- Manufacturer Warranty
33 Reviews Hide Reviews Show Reviews
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The sound of Rock & Roll
Jan 20th 2011I recently recorded my roommate's rock band and my Shure SM7B was all over the place. First on kick drum which is probably not the best use for a 7B but it worked. Bass ended up sounding powerful with the 7B on the amp. Where the SM7b shined most was vocals - ran the SM7b through a Chandler TG2 and a little compression with either a Distressor or PBC-6a and the result was pure rock and roll. The singer felt he sounded far better then he does in the large studios he usually records at. Couldn't be happier with this mic, but regretting not trying it out on guitars after reading another review here!
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great all purpose mic
Sep 28th 2010This mic has to be one of the most versatile out there. I've used it nicely on vocals, guitar/bass cabs, and especially kick drum. Gives a nice complement to the traditional akg d112 on kick. The only thing is this mic needs a lot of juice, way more than just about any mic. Connect it to a high gain preamp and listen to it sing!
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Great all purpose mic.
Jul 30th 2010This is a great all purpose dynamic microphone. I use it on everything from vocals to electric guitars to drums and percussion. Very sturdy. The only down side is it needs a preamp up to the task. I use it with a Golden Age GAP 73 and it works great.
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THE guitar cab mic!
Jan 12th 2010Like an SM57 with MEAT! I use this to mic my Vox AC15 in combo with a Royer R121. Sounds right on. Think of it as a premium 57 with bigger tranny and more open sound. Sounds richer than my restored vintage RCA BK5.
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Smooth and punchy
Feb 12th 2009The SM7b is my go-to microphone for male rock vocals. It does a great job of rejecting off-axis interference, so it's ideal in a low-budget studio where room noise is to be hidden rather than featured. Additionally, I consider it a huge improvement over an SM57 for guitar amps and snare drums (although, admittedly, I'm not all that crazy about '57s). CONS: * It needs a lot of gain, so it's only practical on medium-to-loud sources * Some users are turned off that it doesn't capture the breathiness/presence/air for vocals that a nice condenser will
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A must have for all studios
Nov 6th 2008Thriller/BAD and much more! I just got my order in and I must say this is a great mic very warm and thick on hip hop/rock vocals. Its side by side with my 2 U87s/C414s and blue products and holds it own. Different beast but still great sound and great price! Its also great on bass cabs and hi hat!....actually I cant think of anything it doesnt sound good on.
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