The Shure SM7B Dynamic Microphone is a "must have" microphone in any studio. Versatile and often seen parked above hi-hats, in front of bass cabinets or as a vocal mic. The Shure SM7B is a studio workhorse and excels on many fronts!
The Shure SM7B Dynamic Microphone is a cardioid studio mic designed to deliver warm and smooth audio reproduction in close-proximity studio and vocal applications. It features wide-range frequency response, bass roll off and mid-range control, and internal air suspension shock isolation. The SM7B is a selectable frequency response microphone that delivers warm and smooth audio in close-proximity studio and vocal applications. Optimized shielding from external electromagnetic hum, along with internal shock mounting, external windscreens and adjustable bass roll-off and mid-range emphasis response settings provide clean, consistent reproduction.
Broadcast Standard
The Shure SM7B is a favorite in radio studios, as its designed to fare well in a broadcast environment. The A7WS windscreen reduces plosive sounds and gives a warmer tone for close-up vocals or narration. And the increased isolation to RFI and EMI due to SM7B's upgraded cartridge make it a no-brainer for when getting it right really matters.
Is Versatile
In recent years, the SM7B has seen time in front of rock vocalists and also does an excellent job of handling low-frequency instruments such as bass guitar. The SM7B has also proven successful on unlikely sources such as hi-hat.
Offers Rugged Reliability
Like all Shure mics, the SM7B is built like a tank, meaning that you can travel with it from gig to gig and rest assured that it will last. Shure mics are famous for their bulletproof construction, and the SM7B is no exception. Session after session, the Shure SM7B will continue to perform on stage and in the studio without flaw.
Shure SM7B Dynamic Microphone Applications
- Recording Studio—Instrumental and Vocal
- Location Recording
- Motion Picture and Television Scoring
- Television, Talk Shows, and News Desks
- Radio Announcing and Production
- Narration
Shure SM7B Dynamic Microphone Features
- Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
- Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
- Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission
- Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
- Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
- Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
- Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
- Rugged construction and excellent cartridge protection for outstanding reliability
Shure SM7B Dynamic Microphone Specifications
- Type: Dynamic
- Frequency Response: 50 to 20,000 Hz
- Polar Pattern: Cardioid
- Electromagnetic Hum Sensitivity (Typical, Equivalent SPL/milli Oersted):
- 60 Hz: 11 dB
- 500 Hz: 24 dB
- 1 kHz: 33 dB
- Impedance: 150 Ohms for Connection to Microphone Inputs Rated at 19 to 300 Ohms.
- Output Level (at 1,000 Hz):
- Open Circuit Voltage: – 59.0 dB (1.12 mV), (0 dB = 1 Volt Per Pascal)
- Switches: Bass Roll Off and Mid-Range Emphasis: Slotted Response Selector Switches.
- Cartridge Shock Mount: Internal Air-Suspension Shock and Vibration Isolator.
- Microphone Connector: Three-Pin Professional Audio (XLR)
- Swivel Assembly: Integrated, Captive Nut for Ease of Attachment to Stand, Fits 5/8 in.–27 Thread.
- Polarity: Positive Pressure on Diaphragm Produces Positive Voltage on Pin 2 Relative to Pin 3.
- Case: Dark Gray Enamel Aluminum and Steel Case with Dark Gray Foam Windscreen.
- Net Weight: 765.4 Grams (1 lb, 11 oz)
Shure SM7B Dynamic Microphone Includes
- Shure SM7B Dynamic Microphone
- Stand Adapter
- Windscreen
- Switch Cover Plate
- Manufacturer Warranty
33 Reviews Hide Reviews Show Reviews
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The Best
Apr 16th 2020If you are recording rock vocals that are loud...there is no better mic than this one. This thing can handle a ton screaming or hard rock vocals with ease!
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Shure SM7B
Nov 14th 2017On the advice of a studio engineer/producer, I tried this mic. I had thought is was only for radio broadcasters/spoken word. I used it for lead vocal recording on a new album. The mic was a great improvement, particularly at picking up the high end frequencies. I used it without either foam guard and used a separate wind screen.
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Awesome Mic
Mar 15th 2017I got this microphone because it has been said to have been used for the Michael Jackson Thriller Album and let me tell you, the music that can be made with this mic is nothing short of thrillers!
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SM7b
Oct 26th 2015Needs alot of gain, but sounds great on rock and roll voices, and guitar cabs.
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Shure SM7B
Mar 4th 2015It's a studio standard. Can't go wrong.
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It's What's Expected
Oct 23rd 2014This mic is consistent with 70's versions. I've recorded and heard other vocalists who used this mic, and it always delivers in a way that I expect and depend upon (especially when the session doesn't call for a U47 or U87). A little bit of 1176 after-the-pre works wonders.
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Great Mic
Aug 6th 2014If it was good enough for Michael Jackson in Thriller it's good enough for me. If I want to try another mic sound I use antares mic mod to try different mic options. I also add Sonnox Oxford Inflator at the end of the track chain to raise the apparent volume and add warmth and presence.
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sm7+screms=win
Apr 25th 2014This mic slay for screaming/metal. My go to mic for this kind of productions
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mic cabinet multitool
Jul 23rd 2013There is more than enough great things written about this mic already, I wont add more to the information overload of awesome. I will however recommend to anyone who doesnt know about the need for lots of clean gain to check on their pre's for the adequacy on quiet sources, and especially for audio interface pre's.
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