Front End Audio has teamed up with RME to offer some fantastic deals on select factory direct B-Stock products! This RME Digiface Ravenna was deemed as "B-Stock" by RME quality control. In the nature of being B-Stock, do expect a minor cosmetic issue but rest assured that it has absolutely no impact on the functionality or performance of this unit. Otherwise, this unit is brand new, comes with everything as if it were brand new AND carries a 1-year manufacturers warranty. This is a rare opportunity to save 25% and grab a "just like new" Digiface Ravenna from RME! Stock is limited to quantity on hand and will sell out quickly!
The RME Digiface Ravenna Audio Interface is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. The combination of RME’s renowned drivers (Mac/Windows) and DirectOut’s RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.
RAVENNA & MADI
RME made the two BNC sockets for word clock I/O switchable to MADI I/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio. On the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors may also be configured to work as word clock sync I/O.
TotalMix FX and TotalMix Remote
Like all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface Series includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb. Additionally RME’s latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.
RME Digiface Ravenna Audio Interface Features
- RME USB 3.0
- 1 x Phones Output
- Word Clock I/O
- 4 x Gigabit Ethernet (802.3 compliant)
- 1 x MADI I/O coaxial
- DC-coupled Outputs (Phones)
RME Digiface Ravenna Audio Interface Specifications
- Gigabit Ethernet Port
- RJ45
- 100 Mbit/s, 1 Gbit/s
- Standard port LEDs: yellow connected, green data transmission
- Supports straight and crossover cables (Auto MDI-X)
- Network-based remote control of the unit (TotalMix Remote)
- RAVENNA Modul
- Supports RAVENNA, AES67, ST 2110-30 / -31, ST 2022-7
- Network Layer 3
- Modes: Switched and Redundancy according to ST 2022-7
- 32 streams
- 128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed
- Clock sources: PTP, Internal
- Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +/-12.5 %
- Routing: Channel-based routing matrix
- Configuration: Browser GUI, globcon control, NMOS IS-04 / IS-05
- MADI Input
- Coaxial via BNC, 75 Ohm, according to AES10-1991
- High-sensitivity input stage (< 0.2 Vpp)
- Accepts 56 channel and 64 channel mode, plus 96k Frame
- Standard: up to 64 channels 24 bit 48 kHz
- S/MUX: up to 32 channels 24 bit 96 kHz
- S/MUX4: up to 16 channels 24 bit 192 kHz
- Lock range: 25 kHz – 54 kHz
- MADI Output
- Coaxial via BNC, 75 Ohm, according to AES10-1991
- Output voltage 400 mVpp
- Cable length: up to 50 m
- Generates 56 channel and 64 channel mode, plus 96k Frame
- Standard: up to 64 channels 24 bit 48 kHz
- S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz
- S/MUX4: up to 16 channels 24 bit 192 kHz
- Output Analog Phones 129/130
- Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
- Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
- Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
- THD @ -1 dBFS: - 96 dB, 0.0016 %
- THD+N @ -1 dBFS: -95 dB, 0.0017 %
- Channel separation: > 100 dB
- Output: 6.3 mm TRS jack, unbalanced
- Output impedance: 2 Ohm
- Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
- Max power @ 0.1% THD: 50 mW
- Word Clock In
- BNC, not terminated (10 kOhm)
- Switchable internal termination 75 Ohm
- Automatic Double/Quad Speed detection and conversion to Single Speed
- Word Clock Out
- BNC
- Max level: 5 Vss
- Level with termination 75 Ohm: 4.0 Vss
- Internal impedance: 10 Ohm
- Output Analog Phones 129/130
- Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
- Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
- Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
- Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
- THD@-1dBFS:-96dB,0.0016%
- THD+N @ -1 dBFS: -95 dB, 0.0017 %
- Channel separation: > 100 dB
- Output: 6.3 mm TRS jack, unbalanced
- Output impedance: 2 Ohm
- Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
- Max power @ 0.1% THD: 50 mW
- Digital
- Clocks: Internal, RAVENNA (PTP), word, MADI
- Supported sample rates: 44.1 kHz up to 192 kHz
RME Digiface Ravenna Audio Interface Includes
- RME Digiface Ravenna Audio Interface
- Power Supply
- 1 Year Warranty
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