Eventide SP2016 Reverb Plug-In

Eventide

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Product Code: 9999-11307
$249.00
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Digital Delivery

This product is always in stock and delivered electronically. We will email the license information as soon as your order has been processed, if you are ordering after 6PM EST weekdays or on weekends, we will process your order the next business day. Software cannot be cancelled or returned so if you have compatibility questions ask before you order.

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The Eventide SP2016 Reverb Plug-In is a lush reverb that can be heard on countless hit records and is now available for your DAW.

The SP2016 was the first programmable effects box available on the market. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Six Distinct Reverbs
The SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science — the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and Hi-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth. The algorithms naturally emulate every aspect of the sound of a real physical environment — from the complex early reflections, to the natural way in which the echo density increases with time, and to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.

Sitting in the Mix
Control the structure of the reverb by fine-tuning the controls – including PreDelay, Decay, Position, and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency. With the unique Position control, the ability to make a reverb effect that sits perfectly in your mix is as easy as moving one slider. This powerful tool allows you to take your listeners from the back of the room all the way to the stage while retaining all of your other settings.

Reinventing a Classic
Classic gear stands the test of time. The sound of the hardware is the result of a combination of DSP processing and analog audio circuitry. Painstakingly modeling every aspect of these hardware units was neither quick nor easy, but now the must-have sonic beauty of these classic reverbs is available for your use in the box or live.

Eventide SP2016 Reverb Plug-In Features

  • Room: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.
  • 2016 Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation.
  • Hi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.

Eventide SP2016 Reverb Plug-In Includes

  • Digital License

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What We Think

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There is something really special about the Eventide Reverb 2016. Having used the Eventide Princeton Digital Reverb 2016, we already were very familiar with the algorithms included. Aside from the difference in sound of running through the hardware converters, the sounds contained herein are faithful and accurate (note that the Eventide Princeton Digital Reverb 2016 does have digital I/O which when used, effectively negates this difference). The Reverb 2016 is a natural for drums - and this accurate assessment is especially reinforced by it's labeling as '2016 Stereo Room Reverb' in the plug-in list in my DAW. While it really adds a spacious and realistic front to back dimension to drum tracks, this is by no means a one trick pony. In fact, you will have little doubt of that fact once you take a look and listen at the presets offered up by industry giants such as Ross Hogarth, Joe Chiccarelli, and even George Massenburg, you'll realize just how legendary the original unit is. This unit really does everything from rooms to slappy/verby vocal washes, to faithful vocal chambers. It's definitely a tool for shaping the width of the signal produced as well. Lastly, the price is nice for such a musical and important plug-in. No one reverb is going to do it all, as they all have their own nuances and character. So, dig in and find out what it can do for you. We pretty much guarantee you'll love it.

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