The Ehrlund EHR-T Microphone has both broad and smooth pickup characteristics, with deep bass and extended treble. Having two separate channels for the front and backside of the microphone brings great flexibility at the mixing table. The output signal is strong and usually does not need much amplification.
A double version of the EHR-M microphone EHR-T has the same broad recording characteristics as the EHR-M. The EHR-T gives you almost total flexibility at the mixer table. With two separate outputs per microphone, you can mix signals from the two sides of the mic and adjust the sound pickup characteristics afterward. The microphone has a very strong output signal and is literally noise-free. Its unique electronics produced by Research Electronics deliver very low distortion and it has a large dynamic range. An exclusive double microphone with a transparent and natural sound for professional musicians with high demands.
Ehrlund EHR-T Microphone Features
- Large diaphragm twin condenser microphone
- Patented triangular membranes
- Patented internal amplification and power circuits
- Optimised for studio environments
- Transparent and natural sound
- Great low-noise performance
- Phase and frequency linear internal amplifiers
- Excels at distance miking
- Broad pickup range, linear frequency response even at distance or off axis
- Bass frequencies are picked up in an accurate way even at some distance
- Separate outputs allow for change of polar patterns at the mixing table
- Natural reproduction of fast transients
- Colouring of sound is negligible and true to the original source
- Frequency range spans from infrasonic bass to ultrasonic treble
- Low energy consumption, ~4.0 mA
- Strong output signal, usually doesn’t need any external amplification
- No pre-filtering needed, Ehrlund microphones are made for flat EQs
- Each and every Ehrlund microphone is stereo matched with its own model
- Handles all impedances without altering frequency or phase
Ehrlund EHR-T Microphone Specifications
- Type: Twin condenser microphone
- Membrane type: Dual triangular membrane, combines the characteristics of both large and small membranes
- Pickup patterns: Cardioid, supercardioid, bi-directional and omnidirectional
- Frequency range: 7 – 87000 Hz
- Sensitivity at 1kHz: -33 dBV/Pa (23 mV/Pa)
- Impedance: Handles all impedances
- Equivalent noise level: < 7 dBA
- Signal-to-noise: 87 dBA
- Dynamic range: 115 dB
- Max SPL (peak): 0.5% THD 116 dB, 1% THD 122 dB
- Power supply: 48 V Phantom power
- Current consumption: 4.0 mA (2.0 mA per channel)
- Connector: 5-pin XLR female to 2x 3-pin XLR male
- Materials: Aircraft-grade aluminium body, hardened nickel-plated stainless steel net Finish Glass bead blasting
- Dimensions: 60 mm x 155 mm
- Weight: 345 grams
Ehrlund EHR-T Microphone Includes
- EHR-T Microphone
- Mount (Integrated)
- Stereo Y-Cable
- Manual
- Two Year Warranty
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Big brother to the Ehrlund EHR-M
Apr 30th 2024I bought both the Ehrlund EHR-M (cardiod pattern) and this dual membrane EHR-T (multiple variable pattern) version. Both these Swedish microphones have a frequency range to 87Khz, and had a self noise less than 7dB, Whilst the T (multi pattern) version is more expensive, it will also give you more alternatives to shape the sound you want to capture. The microphone has a multi-pin cable coming from it's XLR base ( remember it's dual diaphragm) which means you have to allocate two inputs in your preamp. Depending on the gain you select on each preamp channel this determines the polar pattern you desire. Like the Ehrlund EHR-M, the output is rather "hotter" than most condensers, so your preamp won't be worked as hard. Also like its "M" cardiod counterpart, placing the Ehrlund back from the subject allows this microphone to really shine with a natural presence which makes it ideal for grand piano, cellos and double basses, other acoustic stringed instruments and percussion. I described the Ehrlund EHR-M primarily as a sound capturing instrument, very transparent with great spatial characteristics. The Ehrlund EHR-T continues that tradition in capturing any sound source faithfully but with greater versatility.
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