CAD M179 Multi-Pattern Microphone

CAD

(45 reviews) Write a Review
Product Code: 1637
$199.99
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The CAD M179 Multi-Pattern Microphone is a true versatile workhorse microphone that is excels on drums, acoustic guitar, cabs and vocals! With its full response, clear neutral sound, and completely variable polar patterns, the M179 is the definition of bang for the buck.

There is not another condenser on the market that has offer the features and performance of the M179, and at this price point it really cant be beat.  You can put a CAD M179 in front of anything and get a great sounding track. The professionals here at Front End Audio use the CAD M179 everyday in the studio on drums, acoustic guitar, cabs and vocals. Really, they would be hard pressed to find an application that the CAD M179 did not excel on. The CAD M179 is a true Multi-Pattern Microphone. Rather than selecting a fixed pattern, you can dial in a pattern or experience all the variations in between! From the rich and intimate sounding figure-of-eight pattern to the spacious and articulate omnidirectional pattern, you can dial in the space you want on any sound source.

Just try the M179 on drums. With the high SPL rating you can throw these on toms or put a pair in the air as overheads. Dial in figure eight and you have a great room mic. The CAD M179 also features a hi-pass filter and 20 dB pad so you have absolute control over your recordings. there really isn't anything these mics can't do. But don't take our word for it, order one or two and see for yourself. Front End Audio has create several different M179 packages offering these great mics in pairs or triples.

CAD M179 Multi-Pattern Microphone Features

  • True variable pattern
  • Large 1.1" condenser capsule
  • Gold sputtered diaphragms
  • High SPL
  • Transformerless balanced output circuits
  • 20 dB pad
  • 6dB @ 100Hz HP filter
  • Internal pop filter

CAD M179 Multi-Pattern Microphone Specifications

  • Type: Side Address
  • Pattern: Multi-Pattern
  • Frequency Response: 10-20 kHz
  • Polar Pattern: Variable
  • Impedance: 200 Ohms
  • Sensitivity: -36 dBV (16mV) @ 1Pa
  • Noise Level: 11dB-A
  • SPL: 143 dB SPL (with pad)
  • Harmonic Distortion: Less than 0.15%
  • Power Requirements: 48V
  • Switches: HP filter and 20dB pad
  • Connector: XLR

CAD M179 Multi-Pattern Microphone Includes

  • CAD M179 Microphone
  • MZM-5 Elastic Suspension Shockmount
  • Swivel Mount
  • Carrying Case
  • Mnaufacturer Warranty

45 Reviews Hide Reviews Show Reviews

  • 5
    Versatile. Smooth sound with Omni pattern.
    Jeff Pelz

    I used this mic for solo vocal recording in a school band room. I was only able to test the Omni setting, but was very pleased with the results. The mic was especially friendly to a young but accomplished female solo voice, giving a very smooth sound. I really like the multiple-pattern concept and look forward to hearing the mic at different settings in different situations.

  • 5
    The New Studio Workhorse
    Tuned in Music and Media

    This was my 6th CAD M179 purchase! What can I say you cant go wrong or have enough of them! I first used them on drum toms but have used them as mid / side on acoustic guitars, room mics, percussion & etc. They sound great and you get a whole lot of bang for the buck. It is really incredible how versatile they are!

  • 4
    kinda hard to say
    Matthew Howes

    They do what a mic is supposed to do. Capture sound accurately, doesn't hurt these also have more features than you can shake a stick at. I was reassured in my purchase after hearing the toms through these little guys, seriously, the heavens opened up, champagne fell from the clouds, and the drummer wouldn't stop hitting the darn things. The only thing that would be a negative about this package is the mic case. Its overly large, awkwardly shaped, and the handle likes to fall off. But come on, I'm complaining about the case people, the case.

  • 5
    CAD M179
    fanDango

    This is a great work-horse mic. The frequency response is balanced across the spectrum. It handles high SPL well and has a mildly (but noticeable) warm tone. This represents one of the greatest values available. It works great for mic'ing guitar amps!

  • 4
    Pretty Good General Purpose Mic
    David Hoover

    A great feature on this mic is the Omni option. When recording a particular electric guitar, I couldn't quite get the sound I wanted. So, I tried this mic and switched it to omni mode. It then sounded just like the amp...which is what I needed (Pro Tools HD). In cardioid mode, this mic tends to hype up anything you put it on. It hypes up the lows and highs. Sometimes this is good, but sometimes it is not. It definitely has a characteristic sound. It's great as a live overhead. Since it hypes up the top end, you don't need that high shelf to get the symbols/snare to pop out. I've had very good results with this mic on most applications. However, I will not use it on vocals. It just is not flat enough and doesn't seem to have the transient response needed. I recommend the Samson C01 if you need a really cheap flat mic. C01 blows away some mics 4 times the price. So, be careful and listen to you mics carefully when purchasing/demoing.

  • 5
    Great microphone that everyone should own
    Jesse

    For the price, you aren't going to get a more versatile microphone. I have used it to record drums as an overhead and to record guitar amps and it worked flawlessly. I even used it as an omni room mic and once again it delivered. Aside from those uses, it's a great tom microphone that rivals the Sennheiser MD-421 and costs less than half as much. I've been more than happy with mine and have to say that anyone on a budget MUST grab one of these, and anyone who isn't on a budget should grab one too because it is just that good.

  • 5
    Comes in Handy for Live Sound
    David Hoover

    I'm glad these guys recommended this mic for my needs. I first tried it on percussion. The band was so large at the church we ran out of mics, so I used this mic for percussion. I actually used a figure of eight pattern. The bottom picked up djembe and the top shakers, maracas, etc. Nice. No monitor feedback either! It sounds more natural than an SM27 on acoustic guitar. It's better than an sm57 on guitar cabs (way better). The 57 colors the cabs too much. The 179 actually sounds like the source you put it on. I even used this when I only had two channels to pick up a drum kit. Kick, then the 179 on OH. Snare, toms, and symbols were adequately heard in the mix with minimal EQing. I would do it again if I needed to. Recently I tried it on kick, and it's amazing. I like the response a little better than a Beta52.

  • 5
    Stunning Value
    Mathew Taylor

    This mic has a great neutral response. Tried on drums, acoustic guitar and vocals. Through both interface inputs and joe meek channel. Every usage has resulted in a musically pleasing representation of the instrument. Definately worth saving up a few dinners out and spending the cash on this piece of kit.

  • 4
    great all arounder
    Anonymous

    This is a great all around microphone with a price that won't break the bank. Switchable patterns and no transformer. Mine is great, I love it.

What We Think

avatar

The M179 is a great all purpose mic. I like to refer to them as the SM57s of Condenser Mics. It has a clean and neutral sound that makes them great on any sound source. It's fantastic on drum overheads, one of the main applications I use them on. The M179's are priced so right using them for toms is a no-brainer (see our FEA multi-packs), and they sound good on many vocals, guitar cabs, (great on) acoustic instruments - everyone should own a pair! The completely variable pattern is a strong attribute as well. My pair is on every recording session I do.

Ryan Ferris, Pro Audio Sales

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