DPA 4099-D Core Microphone for Drums

DPA

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Product Code: 9999-13540
$660.00
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The DPA 4099-D Core Microphone for Drums is an award winning microphone designed to perfectly handle the SPL needed to mic drums, and provides a natural and detailed sound, while rejecting undesired noise and ambience. This makes the 4099-D perfect for the studio or the stage.

The DPA Core 4099-D Microphone for Drum allows for high quality audio capture of drums and percussion instruments. Users will appreciate how gently this condenser mic adheres to their prized instrument. The mic can be easily positioned to fit different types of drums. The flexible gooseneck can be positioned at different angles to allow a variety of sound nuances. The mic is elegant, lightweight, unobtrusive and designed to stay out of the way during performances. The DPA 4099-D Core Microphone for Drums brings more clarity and details to your music, across the entire dynamic range. Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. The 4099 CORE for Loud SPL is perfect for drums. Users will appreciate how gently this condenser mic adheres to their prized instrument. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning 4099 Series gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

DPA 4099-D Core Microphone for Drums Features

  • CORE by DPA technology inside
  • Supercardioid condenser microphone
  • Handles high SPLs
  • Superior gain-before-feedback
  • Flexible and easy mounting
  • Gentle and easy to mount on the instrument
  • Detachable cable and a versatile gooseneck extender

DPA 4099-D Core Microphone for Drums Specifications

  • Directional pattern: Supercardioid
  • Principle of operation: Pressure gradient
  • Cartridge type: Pre-polarized condenser
  • Frequency response: 20 Hz - 20 kHz
  • Effective frequency range ±2 dB, at 20 cm (7.9 in): 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz. Second order low-cut filter at 80 Hz with DAD4099-BC
  • Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 μPa (max. 26 dB(A))
  • Distortion, THD: < 1%128 dB SPL RMS, 131 dB SPL peak
  • Dynamic range: Typ. 108 dB
  • Max. SPL, THD 10%: 142 dB SPL peak
  • Rated output impedance From MicroDot: 30 - 40 Ω. From DAD4099-BC or DAD6001-BC: 100 Ω
  • Cable drive capability: Up to 300 m (984 ft) with DAD6001-BC/DAD4099-BC XLR Adapter
  • Output balance principle: Signal balanced with DAD4099-BC or DAD6001-BC XLR Adapter
  • Common mode rejection ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR Adapter
  • Power supply (for full performance): For wireless systems: Min. 5 V - max. 10 V through DPA adapter With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V
  • Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD4099-BC or DAD6001-BC XLR Adapter

DPA 4099-D Core Microphone for Drums Includes

  • DPA 4099 Supercardioid Microphone
  • Microdot to XLR Adapter
  • Extension Cable
  • Drum Mount Clip
  • Manufacturer Warranty

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What We Think

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The DPA 4099-D Core Microphone for Drums is by far one of the most impressive drum mics I have used. They are superior in handling extreme SPL, so not matter how close to the drum, or how hard you hit the drum - the 4099-D handles it with ease. Secondly, their super compact nature, and stout gooseneck makes getting the proper positioning a breeze. And whether in the studio or on the stage, the rim mount allow for a clean set up without taking up extra real estate. The 4099-D has a very natural wide response, and amazing off-axis rejection. This gives you clarity, detail, depth, and punch. If you have great sounding drums, all you have to do is position this mic, and you have the perfect sound. These are awesome for rack toms, floor toms, and snare drums.

Ryan Ferris, Pro Audio Sales

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